Covered mirror with yahrzeit candle

SITTING SHIVA

A new play about family, loss, and the secrets that bind us

The Story

Three brothers. Seven days. One devastating revelation.

The Isaacson brothers spend a week mourning the passing of their father. Between prayers and visitors, they find themselves in familiar roles. Memories are shared, secrets are revealed, and old wounds are reopened as they bicker about their father, their lives, and their future—leading to a revelation that ultimately destroys what remains of the family.

Why Produce This Play?

Intimate Cast

Small ensemble centered on three brothers, making it ideal for regional theaters and smaller production companies.

Single Set

The entire play takes place in the family home during shiva, minimizing production requirements and costs.

Flexible Format

Can be performed in one or two acts with just a brief light change between acts, adapting to your venue's needs.

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About Sitting Shiva

Three brothers. Seven days. One devastating revelation.

The Isaacson brothers spend a week mourning the passing of their father. Between prayers and visitors, they find themselves in familiar roles. Memories are shared, secrets are revealed, and old wounds are reopened as they bicker about their father, their lives, and their future—leading to a revelation that ultimately destroys what remains of the family.

Production Details

Runtime

About 90 minutes

Cast Size

3 men. There are visitors to the home but those can either be offstage or played by members of the crew if possible.

Setting

The family home — living room during the seven days of shiva

Production Note: The play can be performed in two acts or as a single act with just a brief light change, offering flexibility for different programming needs and venue requirements.

Production History

FringeNYC 2014

World premiere production in New York City

Fertile Ground Festival 2020

Portland production

Themes

Family dynamics • Grief and loss • Jewish tradition • Long-buried secrets • Generational conflict • The weight of memory • Fractured relationships • The thin line between love and resentment

Script Sample

From Act One, Pages 15-19: The brothers argue about using a phone during shiva, revealing deeper conflicts about respect, tradition, and their relationships with their late father.
MARK Your old buddy Richard Hyman called to express his condolences. He's sending a platter later today. I'm sure there'll be lox. HENRY Poor kid. Whichever way he turned we made fun of him. First his first name, then as we got older, his last name. MARK We dished out all that abuse to him and he still does the right thing. He runs a hedge fund now. HENRY Worth eight figures. He'll probably send over the largest platter to show off. Really sticking it in our noses. I hate that guy. MARK Henry! HENRY I can say whatever I want this week. It's my shiva. DAVID If you need a low chair to express your feelings, suit yourself. David starts scrolling and typing on his iPhone. MARK You have to do that now? DAVID Do what? MARK Take out your phone. While we're sitting shiva, can you keep your phone in your pocket? DAVID You're kidding me. MARK People are still here. HENRY There're always people here. DAVID Services are over. HENRY There are always services here. MARK We should show more respect. DAVID Again with that word. What is with you? MARK Our father died in case you forgot. DAVID See this ripped shirt. Hard to forget. MARK It's not a normal week for God's sake. Dad died. There are rituals to be observed. Laws to be followed. DAVID I don't need a law to tell me how to honor my relationship with my father. MARK He would tell you to put away your phone. DAVID Dad! He wouldn't even know what to call it. HENRY He would say put away that thinga majig. MARK He wouldn't approve. DAVID I didn't seek his approval for everything I did. MARK We know. HENRY You weren't looking at your phone during the funeral. DAVID I did in the hearse. You think Dad noticed? MARK During the service. You put it away. I didn't see it. DAVID Yeah so? MARK Why? DAVID Out of — MARK Aha! DAVID Congratulations. MARK All I am saying is that during the funeral, during shiva, we act a little differently. HENRY More respectfully. MARK Exactly. And that is not a subjective definition. DAVID Of course it is. MARK You don't show up at a funeral in a t-shirt and jeans. That, by all standards is disrespectful. And, if you recall, everyone, even casual dress you, wore a suit. And now, three days later, respect means keeping your phone in your pocket and devoting your time to thinking about Dad. DAVID That is your fence. My relationship with my father is my business, not yours, or anyone else's. As each moment arises, I decide. So, for example, I have an important business call at three o'clock today. I plan on taking that. But I told my partners I would not be joining their weekly meeting. MARK We should conduct no business this week. DAVID Says who? MARK That's what my rabbi told me. DAVID I don't consult a rabbi when I want to do something. I do, however, need to consult one of my colleagues on an investment. And he should have sent me an email by now. He reaches for his phone. MARK You need to know this minute! DAVID As a matter of fact, yes. Why does this bother you? HENRY Everything bothers him. Henry walks offstage to throw his plate away. DAVID He's right. MARK You never liked to play by the rules. DAVID Your rules, maybe. MARK Not mine. How we were raised. DAVID Mark, not now. MARK Why is it so hard to keep your phone in your pocket! I frankly don't know how you can even concentrate on anything other than Dad right now, rule or no rule. Henry returns. HENRY Last of the guests who came for the free breakfast have left. They came, they nodded, they ate. DAVID They're gone. HENRY I may take a nap. Take advantage of the down time. [Excerpt continues through page 19...]

To read the complete play or request the full script, please use the contact form.

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About the Playwright

Joshua Metzger is an award-winning playwright whose work explores family dynamics, identity, and the Jewish-American experience.

His play The Second Generation won the prestigious O'Neill National Playwrights Conference in 1997 and was developed at the National Playwrights Conference, with subsequent readings at the Passage Theatre Reading Series (Trenton, NJ) and Octoberfest at the Ensemble Studio Theatre (New York). His play Photo Opportunity had readings at The Museum of Tolerance at the Simon Wiesenthal Center, The Road Theatre, and the Odyssey (all in Los Angeles). Sitting Shiva was produced at FringeNYC in 2014 and was part of the Fertile Ground Festival in Portland in 2020.

Josh holds a J.D. from New York University School of Law and a B.S. in Economics from New York University College of Business and Public Administration. He is currently the General Counsel for an adtech company.

Joshua Metzger
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Get in Touch

Interested in producing Sitting Shiva? I'd love to hear from you. Whether you're a theater, producer, or director, please reach out to discuss production opportunities.